Haibane-Renmei
I have heard more than one
missionary speak on the fact that in different cultures around the world there
exists certain elements of God’s general revelation within the fabric of their
culture, not to mention within the minds of its people. Amongst the deception
and lies of the world and materialism, there exists seeds of truth that
unclouded eyes can recognize- and that God can use to reach people from that
culture. I have found it incredible to not only experience this in the past
from our own culture, but also more recently in my exploration of Japanese
culture and their animated entertainment. Of course, I would imagine that in
this most recent experience the influence of Western religion and culture had
an impression as well.
The creator of the anime I recently
finished called Haibane-Renmei spoke about how he created the animation.
Unlike his previous works- some of very great repute- he had complete
directorial control over the plot and direction of the piece. Instead of having
to run his ideas by someone else to ask “Is this alright?” he was the one he
asked that to. Likewise, in the creation, while a decade ago some of the
concepts were there, in this work he simply sat down, started writing/creating,
and that was it. He purposely chose not to preconceive any ideas about what
this would be. The anime created itself “on the fly” so to speak. He said that
there was no specific religion that he chose to influence his work so it was
not a religious work in that sense, however he imagined that some of his ideas
about the concept of a entity like “God” and the concept of “life” were the
primary influence of the piece- and of course the use of some images that were
similar to angels with halo’s and wings- it would be considered a religious work.
However, as he stated, it was not intended as a device for one specific
religion- simply an expression of his flow of thought ideas, influenced by his
own conceptions.
I found this very interesting,
because having said that I can see how even if he might not be a Christian,
there seem to be some incredible elements within the piece. This person
obviously is not saved- but there is truth buried within the piece. It is as
though this artist is right on the edge of the discovery of truth- and merely
needs the final pieces given to him. I think this particular anime has elements
within it that could be used to portray a powerful message when connected to
the story of Jesus Christ.
As I begin, be aware that there are
“spoilers” of the end plot in this, necessary to share my thoughts. In this
story, it begins with a dream- the main character, Rakka, is falling from the
sky. She is rather scared, and a raven appears flying near her. The raven flies
along beside her, and she clutches it to her chest receiving some form of peace
and comfort. She falls through a cloud, and the ground becomes visible far
away, and she tells the raven to go- that it cannot help. It tries to clutch to
her dress to keep her from falling, but finally is yanked away by the wind.
Rakak continues to fall, towards the earth, before suddenly waking. She is in a
glowing green place, surrounded by liquid- yet can breath.
Later, we see her
hatch from a cocoon of sorts into an old castle type place surrounded by the
haibene- angel like creatures who are basically younger people with halo’s and
small charcoal coloured (basically white looking) wings. They all ‘hatch’ like
she did- having no clear memories of their past except that they had one, and
then their dream before hatching (basically, they were alive- then died- and
are now Haibene). Rakka is lead to a new room, and a fresh halo just moulded
from hot metal in a special mould, is put “over her”. Shortly after this, from
sore spots in her back, wings painfully emerge and she gradually begins to get
used to them as part of her body. They all live in a special place- surrounded
by walls that ‘protect them’ until they are ready, and a town of normal humans
nearby that supports them as Haibene come and go.
We find out that they stay as
Haibene for a time- and eventually, at no specific point, when they are ready
they have their time of “flight”- when the walls decide they are ready to be
safe outside them, and their halo begins to fade in and out. Without telling
any others, they walk into the Western wood to a special rune, and a beam of
light goes into the sky as they ‘take flight’ and leave only their old metal
halo behind and perhaps some feathers.
Of course, when this happens to a
friend of Rakka’s, she has trouble letting go- and suddenly black spots begin
to appear on her feathers. She pulls them out, but they return, growing to
leave the bottom of her wings stained. She cuts them off with scissors in
embarrassment and fear, but they keep coming back. Finally, the eldest Haibene
girl who discovered her cocoon and has guided her somewhat, discovers her
trying to use the scissors and hugs her, forcing her to stop. She gives her a
special medicine designed to bleach her feathers to hide it- and it comes out
that she knows of this medicine because she, unlike Rakka, was born that way
and other Haibene were afraid of her. They call it “sin-bound”, and Rakka asks
“Does that mean I am a sinner?” The older girl, Renmei I believe (I think),
tells her not to be afraid- that she will always be there for her, just as the
older Habenei who discovered Ren had said to Ren herself. Of course, likewise,
the Habenei had taken flight to leave Ren alone- and Ren felt as though
everyone ended up leaving her alone. Rakka is lead by ravens to the dead body
of a raven- and remembers her dream (for part of what makes a ‘sin-bound’
habenei is that they cannot remember all of their dream for some reason- the
one they had in the cocoon)- and later we find she received forgiveness from
the raven. After that, her wings become clean again. Ren, however, privately is
shocked- and somewhat jealous. An elder, the “communicator”- the one who
basically guides them from a distance and overseas the whole town and Habenei-
tells Rakka the riddle of ‘sin’. For Rakka, of course, asks if she is a sinner.
He says “One who realises they have sin, has no sin”. Of course, Rakka,
thinking this out, sees the riddle- if you think she riddle is true, and say
“Then I have no sin”, then you don’t realise it so you might have sin. But if
you realise it, don’t you no longer have sin- it is what the elder communicator
calls it being trapped in the ‘circle of sin’. The only by figuring out the
answer can Rakka truly be free and ready to fly- her sin bound issue was taken
care of because she was forgiven by the bird. But the final step was to
understand the riddle.
As the end of the work nears, we
discover that Ren has been a Habenei for many years and never flown. That while
sin-bound, she cannot fly for she is not ready- she feels she will just stay
and care for the Habenei as she has, but the communicator tells her that her
time is almost up. If she does not fly by the new year celebrations, then she
will remain forever. But not as a habenei- all others will forget her, her halo
will vanish and her wings disappear, and she will dwell isolated in the woods-
growing old like the rest of the humans. A quiet, but lonely existence, until
she passes away. Meanwhile, she is a painter, and has painted her flashes of
her dream in a room that she lets nobody see. Rakka is told this by the
communicator too, and wants to help- even though it means her dear friend will
go away. She receives a gift with her “true name” on it- which is part of the
name she was given when she was born a Habenei (Rakka, which means “falling”)
combined with the rest. Ren’s name means “little stone”- and he gives Rakka the
wooden box to give Ren on the new year with her true name in it.
After the new year, Ren has
disappeared, but Rakka finds her- in the room of her painting never before seen.
She has painted the whole room, and it looks almost like the outdoors with a
red moon. It is somewhat dark and frightening- and Ren is looking out the
window from it. Rakka gives her the package- and inside is a letter from the
communicator, telling her that her true name is another interpretation of the
character used for “little stone”- it means one who is torn apart. Her dream,
she had thought, had been about walking down a stone path- but she suddenly
remembers, upon hearing that, it was actually a road with rails on it. A
railroad. She had died because, lonely and feeling nobody needed or wanted her-
laid herself on a railroad track, and a train ran over her. Yet, even at the
end, part of her was hoping someone would save her- but she never asked anyone
to, so nobody did, and she died.
In her grief, her wings become
fully blackened, and she says that just like that night she realises now that
she is truly lost and unsavable. Rakka tries to disagree, but she turns on
Rakka and tells her that while Rakka thinks she is nice- it was really all for
her own selfish reasons. When she saw Rakka’s cocoon, she made a ‘bet’ with
herself- that if she could help and win the feelings of the one inside, she
would be forgiven, freed from being sin-bound. “It didn’t matter who it was,
whether it was you or not”. Rakka, after trying to protest, finally left the
room in grief and stayed on the other side of the door. The time has come- and
suddenly the sound of a train is heard, and in the distance out of the painted
room the image of a train coming is seen. A younger version of herself appears
and asks her why she won’t ask for help, why she won’t save her. She confesses
finally that she never asked for help because she was afraid, terrified, that
if she actually did- what if nobody answered? The fear of asking, but not being
saved, was greater than the fear of being silent and not being saved- yet if
she never asked, she would never be saved. Ren tried to hold the younger
version of herself- but her younger self crumbles into dust- and the train is
coming closer, and she knows when it arrives, it will be too late. But she
cannot call for help- she simply stays there.
Rakka, however, looking at a
painting in Ren’s room, finds Ren’s dairy- and reads about when Ren found her
cacoon, and about how she sat by it and spoke to the one inside. She realises
that the raven she dreamed of- the “presence” that protected her and kept her
safe- was actually her vague half conscious memories of Ren sitting outside her
cocoon, tapping it, and talking to her with comforting words of love and
emotion. Ren, sharing how she would protect her and always be there for her,
like her own older Habenei was there for her. Rakka realises that Ren really
did care for her- and that she will be there for Ren. So she enters the room-
and suddenly she is there, outside, on the railroad while a train is coming
towards Ren. She tries to run to her to push her off the tracks, but Ren’s
younger self appear and holds her hand- not letting her run. “She can’t hear
you- she’s made her choice to be there.” Rakka wants to help, but cannot go to
her, and yells “Just call me… I want to help you!”
The train is almost there, and with
tears in her eyes, Ren whispers “Rakka…” and a few moments later, the sound of
the train crashing and loud, she says louder, “Help me!”
And Rakka is suddenly freed, as the
younger Ren disappears and the stone with Ren’s true name on it “torn apart”
cracks- later to be replaced by her original name, now her true name, “little
stone”. Rakka pushes her out of the way, and they are again on the floor of the
room. Ren’s wings- are now clean. It comes out that part of the riddle of
forgiveness is that you cannot forgive yourself- someone else must do it. But,
as Ren showed, she had to be willing to ask.
Of course, Ren is going to leave,
but she- as usual, being the eldest- says it is tradition for nobody to see the
Habenei leaving to fly, so she asks Rakka to close her eyes. And so Rakka does,
and then she walks away. A time later, the other Habenei come looking- outside
this time- and see from the woods the light flash into the sky, of Ren taking
her flight. Instead of being shocked or sad, those who knew about her sin-bound
wings are relieved to know her time had come. And, as the series ends, just as
it began with Ren finding the cocoon of Rakka in a room by itself- so too does
Rakka suddenly find, in a room similar to the one she had come into, two little
cocoons sprouting, “Twins”. And like Ren, she stumbles over herself to run to
find the others- excited that now she, too, can be to them what Ren was to her.
Hopefully many of you, too, can see
the parallels to Christian beliefs all throughout that. It is just incredible.
While, of course, it is not another normal PERSON we need to forgive us- Jesus
is the one we need to ask, to accept, his sacrifice meant to save us. Yet, just
as in this story, while Jesus has already paid the price- if we cannot simply
ask for it, we too will pass our time sin-bound and end up unsavable for all
eternity with our final chance having passed. Like the story, we are all
sin-bound to begin with- and we cannot save ourselves or forgive
ourselves, rather the only solution is to be forgiven by the only one capable
of offering complete forgiveness for our sins. Also, oddly enough- there is
another small parallel. The raven, the ‘bird’- who she found in the well. It
originally was alive, trying to get her attention. They are not clear about it,
but it seemed to represent someone also in her life- when she was alive- who
cared about her, and she had hurt. She did not know who- but this person had
died, still caring for her, but never being acknowledged back. In the end, the
raven had died in a well- and other ravens lead Rakka to it- and it was by
climbing down to find its remains that she had the dream again, and remembered
what she had forgotten. The raven sacrificed its life in order to do this- and
when she awoke, she buried its bones and wept for it, and obtained its
forgiveness.
While very obscure, one could
perhaps even see some symbolism in this about Jesus- how he died on our behalf
to save us.
The creator shared that unlike past
anime he had worked on, this was created without any devices to try to elicit
strong emotions or take the person through a certain plot- the goal was to let
the person just experience it, and take from it what their personal experiences
bring into it. I must personally say that of all the anime I have EVER watched,
this is perhaps the only ‘religious’ one that has ever come close- not to mention
this close- to expressing Christian truths amidst the rest of everything.











